Warp 5

Warp 5

Took and slightly manipulated this pic today in the completely soaked garden of Naturalis Biodiversity Center in Leiden. Pebbles & Clouds would be an apt title, and it fits nicely into my "warped surroundings and reflections" series. Again, as I noted earlier, the central idea of these disorienting pictures is to fold dimensions, amalgamate elements, and achieve painting-like qualities from an otherwise ordinary scene. Or in other words, to transform a mostly unnoticed reflection into an otherworldly realm. To me, photography, or visual art for that matter, is not so much about technique or object.. it is about vision.

Duck

Yesterday I told you about my 'Warped Duck' picture. Well, I decided to walk my words and put it in paint today:

Duck, 30 x 30 cm acrylic on canvas, © Olivier Hijmans 2016

Once again, this was the 'Warped Duck' image leading up to the painting..:

Warped Duck

...Which in turn was derived from the following original, showing the colorful non suspecting unabstracted duck:

Original Duck

In a way, subconsciously, I already sensed the potential painting at the moment I clicked the above picture. I actually remember the intuition and taking the picture for that reason.. which means that the latent painting was already there. It's very interesting how, depending on our sensitivity, an entity like this becomes manifest. Perhaps the painting opens a window on the inner world of duckness?

Warped Duck

Warped Duck

Using very simple means, this pic shows just how easy it is to turn a simple photograph into an abstract painting-like reality. In fact, often it is playing around with natural images like this (a colorful and non suspecting duck floating quietly in a pond) that triggers a starting point for my paintings.. where is the tipping point toward abstraction? What makes an image move? What has become of the duck..?

Warp 4

Warp 4

The untouchable

Keeps together in stillness

Drops from solid skies

Warp 3

Warp 3

The third preview for my new photo series around 'Warped surroundings and reflections', a.k.a. 'Warp'. This one is composed of two pictures of the same scene, with multiple filters. Drawn a bit more into the abstract realm, these trees, that were actually water reflections, almost seem to be on fire.. People who know me will understand that, of course, I wíll be trying to blur the line between photography and abstract painting at some point...

Make Sense?

Like I mentioned in my post Winter Warp some days ago, I am preparing a photo series around the idea of "warped surroundings and reflections". Of course, one aspect of the magic of photography is the freezing of time, another is the warping of space or folding of dimensions. What I am trying to achieve with a pic like this, is to draw the viewer into a somewhat omnipresent position... a viewpoint from which one does not specifically look AT something from a defined perspective, but where the viewing and the viewed become a singularity. Meaning, you are everywhere in this image, and the orientation of reality within the image changes according to what part you're looking at, and what dimensional interpretation your eyes are projecting on it. Make sense?

Winter Warp

Winter Warp

To continue the "winter theme" for a bit, this photo I took a while ago I call 'Winter Warp'. It's part of a new series I'm trying to develop around the idea of "warped surroundings and reflections"... using the power of perspective, folding a perfectly ordinary scene into a non-linear reality that appears to be more than 3D. Celebrating the freedom of disorientation and amalgamating wood, water and what have you into a painting-like structure where separation and distance are transcended.. More to come.